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  1. Home >
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  5. RME Fireface UFX III Audio Interface

RME Fireface UFX III Audio Interface

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  • UFX III Audio Interface - Lifestyle
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  • RME Fireface UFX III Audio Interface - Front
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€ 2.639,00Price Includes
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5-year warranty & 30-day money-back guarantee included
You can purchase from Gear4music with complete confidence and peace of mind. All of our products are new unless stated and come with a 30-day money-back guarantee and a 5-year warranty as standard.

Once the product is delivered, you'll have 30 days to decide that you definitely want to keep it. If you decide it's not suitable, you can return it to us for an exchange or a refund, providing the product is in 'as new' condition and in its original packaging.

We do everything we can to make sure the right item reaches you in perfect condition. If your order arrives damaged, or is incorrect, let us know within 14 days of receiving it and we'll arrange for a free collection.

If your goods develop a fault within the warranty period, we'll quickly repair or replace the item for you. If the fault occurs within the first 180 days of your ownership, we'll collect the goods and deliver them back to you free of charge.

We're unable to accept returns of any custom-made items designed to work together as a unique package. Some items are only eligible for the money-back guarantee if they are returned to us unused and sealed in the original packaging.

For full information on our returns policy, please refer to our returns and refunds information page.

If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.

Eligibility for Money Back Guarantee

Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software

We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.

In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.

When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.

Summary of returns policies and timescales

This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.

UK & Europe EU Standard Gear4music Standard Gear4music Optional
Return Period 14 days 30 days up to 180 days
Standard delivery charges refunded? Yes Yes Yes, up to 30 days
Upgraded delivery charges refunded? Standard costs only Standard costs only Standard costs only
Free collection on cancellation No No Yes, up to 30 days
Free collection if defective, delivered damaged or incorrect item Yes, within 14 days Yes, within 14 days Yes, within 30 days

We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.

10-year warranty & 180-day money-back guarantee included

10-year warranty & 180-day money-back guarantee included
You can purchase from Gear4music with complete confidence and peace of mind. All of our products are new unless stated and come with a 30-day money-back guarantee and a 5-year warranty as standard.

If you purchase our extended warranty for this product, we'll extend the money-back guarantee period to 180 days and the warranty period to 10 years.

This means that once the product is delivered, you'll have 180 days to decide that you definitely want to keep it. If you decide it's not suitable, you can return it to us for an exchange or a refund, providing the product is in 'as new' condition and in its original packaging.

We do everything we can to make sure the right item reaches you in perfect condition. If your order arrives damaged, or is incorrect, let us know within 14 days of receiving it and we'll arrange for a free collection.

If your goods develop a fault within the warranty period, we'll quickly repair or replace the item for you. If the fault occurs within the first 2 years of your ownership, we'll collect the goods and deliver them back to you free of charge.

We're unable to accept returns of any custom-made items designed to work together as a unique package. Some items are only eligible for the money-back guarantee if they are returned to us unused and sealed in the original packaging.

For full information on our returns policy, please refer to our returns and refunds information page.

If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.

Eligibility for Money Back Guarantee

Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software

We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.

In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.

When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.

Summary of returns policies and timescales

This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.

UK & Europe EU Standard Gear4music Standard Gear4music Optional
Return Period 14 days 30 days up to 180 days
Standard delivery charges refunded? Yes Yes Yes, up to 30 days
Upgraded delivery charges refunded? Standard costs only Standard costs only Standard costs only
Free collection on cancellation No No Yes, up to 30 days
Free collection if defective, delivered damaged or incorrect item Yes, within 14 days Yes, within 14 days Yes, within 30 days

We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.

10 YEAR EXTENDED WARRANTY SCHEME

The product price includes 5 years' warranty and 30 day money back guarantee.

However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.

The highlights of this enhanced warranty service are:

  • Warranty is extended to 10 years from the date of delivery.
  • Our Money Back guarantee is extended from 30 days to 180 days (terms apply after 30 days)
  • Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty
  • Claim 50% cash back on the cost of the policy after 10 years if it has not been used!
  • Warranty is transferable if the item is re-sold
  • Loan or replacement equipment will be provided if the product isn't repaired within 30 days
  • If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered
  • The policy can be cancelled within 30 days, and at any time after that for a pro-rata discount

Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided.

For customers in outlying areas of the country, the price of the Extended Warranty may be marginally higher, due to the potential for higher collection and redelivery transport costs.

This enhanced warranty is in addition to the standard Gear4music and manufacturer warranty policies, and the Gear4music terms and conditions of trade. No statement or condition of sale contained within these terms affects or restricts your statutory rights as defined under the Consumer Contracts Regulation 2014.

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Key Features

  • 188-channel high-end USB 3 audio interface
  • Transparent audio with lowest latency and industry-leading stability
  • Powerful DSP pairs with TotalMix FX and DIGICheck for
  • Reference-class digital clocking with SteadyClock FS to effectively eliminate jitter
  • Expansive connectivity including MADI for increasing I/O options

RME Fireface UFX III Audio Interface Overview

RME

View this description in German

The Fireface UFX III is a flagship 188-Channel, 24-bit / 192kHz audio interface, delivering pristine audio quality and unrivalled flexibility. The ultimate choice for any multitrack studio, Fireface UFX III boasts up to 94 channels of I/O with unparalleled flexibility and compatibility.


Featuring SteadyClock FS for effective jitter reduction, MADI I/O (64 channels), powerful onboard DSP to use in conjunction with TotalMixFX, USB 3.0 (full 94 channel Class Compliant I/O ready) and Direct USB Recording, this professional-level audio interface delivers superior performance in any recording, mixing, or mastering application, live or in the studio. With its newly designed analog and digital boards, it offers low-noise DC-coupled analog outputs as well as improved AD/DA converters with detailed THD+N values for pristine audio quality.

Product Ref: 253004

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Full Description

View Full Description

The most flexible interface on the market

The Fireface UFX III packs a host of powerful connections that enable seamless audio performance and recording. On the front panel, there are four high-quality XLR/TRS combo inputs, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB 3 port - allowing independent recording of up to 80 channels (with the DURec function). At the back of the unit are two optical ADAT I/Os, an AES/EBU I/O, eight balanced analog outputs with line level (including XLR stereo monitor outputs), another MIDI I/O, and an optical MADI interface (SC) with 64 bidirectional channels. An additional Word Clock connection is also available via BNC connectors for use as coaxial MADI input or output.

Expand your system with ease

The flagship Fireface UFX III boasts comprehensive connectivity to ensure you can integrate your interface into any recording, mixing or live situation you'll face. Expanding your analog channel capabilities, MADI is employed on the rear of the interface, enabling you to connect, route and mix channels through the digital domain for more flexibility than ever before. Multiple external MADI devices can also be connected in series.

The Fireface UFX III comes equipped with some of RME's hallmark features to further improve MADI flexibility. For instance, even when in USB 2 mode (which only supports up to 30 channels I/O), MADI I/O is still accessible through RME's integrated hardware mixer TotalMix FX. Additionally, the Word Clock I/O (BNC) can also be converted to MADI I/O (coaxial). The device even offers a specialized "split mode" that allows for the simultaneous utilization of both MADI I/Os - with 32 channels on optical and coaxial for each.

The complete mixing and monitoring solution

Included with Fireface UFX III is TotalMix FX DSP, offering comprehensive routing and monitoring options. Encompassing everything you need to balance, pan and sculpt a mix, TotalMix FX comes with EQ, dynamics processing, reverb and delay, all with latency-free monitoring in main monitors or headphone outputs! This can all be analysed with the included DIGICheck Analyzer, allowing you to measure data in both directions in real time with maximum precision. Ideal for keeping an eye on output levels to avoid clipping or for checking your frequency balance.

TotalMix Remote is an external controller designed to manage the hardware mixer and effects featured in RME audio interfaces through TotalMix FX. With TotalMix Remote, users can access and control the entire mixing console's state, routing, FX settings, level meters, and more in real time on both iPad and Windows/Mac computers. Whether at a distance or nearby, TotalMix Remote allows users to easily adjust and customize all mixer and FX settings via Ethernet and WiFi.

DC-Coupled outlets

Where other interfaces feature AC-coupled outputs, capacitors are used to filter extremely low frequencies. This can have an adverse on the output for your interface and cause unwanted artefacts in the subfrequencies. Fireface UFX III has been designed with DC-coupled outlets, allowing you to send CV or gate information to DC-enabled input devices such as synthesizers, modular equipment or other studio hardware, all without interfering with the sound quality of your outputs.

USB-3 class compliant performance

The Fireface UFX III is equipped with two distinct modes of operation to suit different needs: driver-based USB 3 and Class Compliant. As a widely adopted standard natively supported by popular operating systems like those from Windows, Mac OSX, and Linux distributions, Class Compliant mode requires no proprietary drivers and can be directly recognized once the CC firmware is loaded. This makes for a seamless integration experience without any additional installations or downloads required.

What's more, the Fireface UFX III stands out as RME's first audio interface with full USB 3.0 support in Class Compliant mode. This unlocks access to all channels for driverless operation on Linux, Mac, and even iPadOS when connected to an iPad Pro via USB C. With recording and playback capabilities of up to 94 channels through TotalMix FX for iPad and system-level access, the Fireface UFX III provides musicians and producers with unparalleled flexibility and functionality. Choose the Fireface UFX III for a hassle-free experience and exceptional performance in Class Compliant mode.

Direct USB recording with DURec

Integrated into all inputs and outputs, Fireface UFC III enables the user to record directly to a thumb drive or hard drive via the onboard front-mounted USB port. Independent from your computer, the internal processing powers the data transfer to ensure the highest-speed transfers with immaculate stability to ensure your files are not tarnished. Transforming your interface into a dedicated recording device, DURec USB recording is perfect for live recordings on stage or for recording rehearsals or jam sessions.

Features

  • 188-Channel, 24-bit / 192kHz AD/DA converter
  • DURec (Direct USB Recording)
  • Reference-class digital clocking with SteadyClock FS, delivering excellent performance across all clock modes, effectively eliminating jitter
  • MADI I/O (64 channels)
  • TotalMix FX features impeccable routing and mixing capabilities for superior studio and live workflow and quality
  • Includes RME's Digicheck, a secret weapon of high-resolution audio measurements
  • Built-in DSP
  • +48V phantom power
  • TFT display
  • AKM chips (AK5574 AD / AK4490 DA converters)
  • DC-coupled analogue outputs
  • Lock keys
  • Remap keys
  • USB 3 Class Compliant mode delivers the lowest latency and industry-leading stability

Specifications

  • Analog:
    • AD, Line In 1-8, rear:
      • Input: 6.3 mm TRS, electronically balanced
      • Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
      • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
      • Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
      • Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
      • Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
      • THD @ -1 dBFS: < -120 dB, < 0.0001
      • THD+N @ -1 dBFS: < -110 dB, < 0.00032
      • Channel separation: > 110 dB
      • Maximum input level: +19 dBu
      • Input: 6.3 mm TRS jack, electronically balanced
      • Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
      • Input sensitivity: switchable between Lo Gain and +4 dBu
      • Input level for 0 dBFS @ Lo Gain: +19 dBu
      • Input level for 0 dBFS @ +4 dBu: +13 dBu
      • Variable digital gain: 0 to +12 dB
      • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
    • Microphone In 9-12, front:
      • Input: XLR, electronically balanced
      • Input impedance @ 1 kHz: 3.4 kOhm
      • Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA
      • THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032
      • Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz
      • Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz
      • EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu
      • Gain range: 75 dB
      • Maximum input level, Gain 0 dB: +18 dBu
      • Maximum input level, Gain 75 dB: -57 dBu
      • CLIP LED: 0 dBFS
      • SIG LED: -60 dBFS
    • Instrument In 9-12, front:
      • Input: 6.3 mm TS jack, unbalanced
      • Input impedance @ 1 kHz: 1 MOhm
      • Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA
      • Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz
      • Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz
      • Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz
      • THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045
      • Gain range: 42 dB
      • Maximum input level, Gain 8 dB: +21 dBu
      • Maximum input level, Gain 50 dB: -21 dBu
    • DA Line Out 3-8, rear:
      • Output: 6.3 mm TRS jack, servo-balanced
      • Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
      • Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
      • Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
      • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
      • Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
      • THD+N: < -110 dB, < 0.00032
      • Channel separation: > 110 dB
      • Output level: switchable Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
      • Output impedance: 75 Ohm
    • DA Stereo Monitor Output XLR (1-2):
      • Output: XLR, balanced
      • Output level: switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ 24 dBu: +24 dBu
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
      • Output impedance: 150 Ohm
    • DA Stereo Monitor Output Phones (9-12):
      • Output: 2x 6.3 mm TRS stereo jack, unbalanced
      • Maximum output level at 0 dBFS, High: +19 dBu
      • Maximum output level at 0 dBFS, Low: +2 dBV
      • Max power per channel @ 32 Ohm load, 0.02 THD: 200 mW (2.5 Vrms, +10 dBu)
      • Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA
      • Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA
      • Output impedance: 2 Ohm
    • MIDI:
      • 2 x MIDI I/O via 5-pin DIN jacks
      • Galvanically isolated by optocoupled input
      • Hi-speed mode: Jitter and response time typically below 1 ms
      • Separate 128 byte FIFOs for input and output
      • 2 x MIDI I/O via MADI
      • Invisible transmission via User bit of channel 56 (up to 48 kHz)
      • Invisible transmission via User bit of channel 28 (up to 96 kHz)
    • Digital:
      • Clocks: Internal, ADAT, AES, SPDIF, word clock
      • Jitter suppression: > 50 dB (> 1 Hz)
      • Effective clock jitter influence on AD and DA conversion: near zero
      • PLL ensures zero dropout, even at more than 100 ns jitter
      • Digital Bitclock PLL for trouble-free varispeed ADAT operation
      • Supported sample rates: 28 kHz up to 200 kHz
  • Digital Inputs:
    • MADI:
      • Optical via FDDI duplex SC connector
      • 62.5/125 and 50/125 compatible
      • Coaxial via BNC (Word Clock input), 75 Ohm
      • High-sensitivity input stage (< 0.2 Vpp)
      • Accepts 56 channel and 64 channel mode, plus 96k Frame
      • Standard: up to 64 channels 24 bit 48 kHz
      • S/MUX: up to 32 channels 24 bit 96 kHz
      • S/MUX4: up to 16 channels 24 bit 192 kHz
      • Lock range: 25 kHz – 54 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • AES/EBU:
      • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • High-sensitivity input stage (< 0.3 Vpp)
      • SPDIF compatible (IEC 60958)
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • ADAT Optical:
      • 2 x TOSLINK, format according to Alesis specification
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
      • Bitclock PLL ensures perfect synchronisation even in varispeed operation
      • Lock range: 31.5 kHz – 50 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • SPDIF optical (ADAT 2):
      • 2 x optical, according to IEC 60958
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • Word Clock:
      • BNC
      • Internal termination 75 Ohm switchable
      • Automatic Double/Quad Speed detection and internal conversion to Single Speed
      • SteadyClock guarantees super low jitter synchronization even in varispeed operation
      • Not affected by DC-offsets within the network
      • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
      • Overvoltage protection
      • Level range: 1.0 Vpp – 5.6 Vpp
      • Lock Range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
  • Digital Outputs:
    • MADI:
      • Optical via FDDI duplex SC connector
      • 62.5/125 and 50/125 compatible
      • Coaxial via BNC (Word Clock input), 75 Ohm
      • High-sensitivity input stage (< 0.2 Vpp)
      • Accepts 56 channel and 64 channel mode, plus 96k Frame
      • Standard: up to 64 channels 24 bit 48 kHz
      • S/MUX: up to 32 channels 24 bit 96 kHz
      • S/MUX4: up to 16 channels 24 bit 192 kHz
      • Lock range: 25 kHz – 54 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • AES/EBU:
      • XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
      • Format Professional according to AES3-1992 Amendment 4
      • Format Consumer (SPDIF) according to IEC 60958
      • Single Wire mode, sample rate 28 kHz up to 200 kHz
    • ADAT:
      • 2 x TOSLINK, format according to Alesis specification
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • SPDIF optical (ADAT 2):
      • 2 x optical, according to IEC 60958
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (> 1 Hz)
    • Word Clock:
      • BNC
      • Max. output voltage: 5 Vpp
      • Output voltage @ 75 Ohm termination: 4.0 Vpp
      • Output impedance: 10 Ohm
      • Frequency range: 27 kHz – 200 kHz
    • General:
      • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
      • Idle power consumption: 19 Watts
      • Typical power consumption: 22-25 Watts
      • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
      • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
      • Total depth: 240 mm (9.4”)
      • Weight: 3 kg ( 6.6 lbs)
      • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
      • Relative humidity: < 75 , non condensing
      • Product code: UFX-III
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