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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
The Universal Audio Teletronix LA-2A Leveler Collection is the ultimate assortment of the most revered optical compressors ever created. Renowned for its delicate, program-dependent optical compression and meticulously crafted tube amplifier, the LA-2A has become the compressor of choice for professional mixers globally. Boasting an array of impeccable models, the LA-2A Classic Leveler Plug-In Collection offers the most authentic emulations of this iconic compressor.
For seamless integration with Apollo interfaces, you can now record through a Teletronix LA-2A/LA-2 in real-time. Featuring the three most illustrious variations of this legendary levelling amplifier, the LA-2A Silver delivers flexible compression with fast time constants, while the LA-2A Gray offers a consistent time average for medium-speed compression. Furthermore, the Mellow original LA-2A sound provides a slower attack and release, making it ideal for vocal sources.
This versatile collection pairs seamlessly with vocals, bass, strings, and horns, allowing you to achieve the perfect sound for any musical arrangement. Additionally, the sidechain peak reduction feature allows for tailored low-frequency compression and distortion effects. Experience the unparalleled quality of the Universal Audio Teletronix LA-2A Leveler Collection and elevate your productions to new heights.
Product Ref: 278913
With its brushed aluminium panel and original T4B gain reduction module, the LA-2A Silver version is a highly sought-after plugin. Manufactured by Bill Putnam in the late 1960s, this model offers incredible flexibility. Its fast time constant allows it to handle a wide variety of program material, making it perfect for transient-rich sources like drums and percussion. On the other hand, the LA-2A Gray, designed by Jim Lawrence in the mid-1960s, features a more average time constant, offering a range of "medium-speed" compression. Whether you need precise control over transients or a smoother and more natural compression, the LA-2A Silver and Gray have got you covered.
Originating in the early 1960s, the LA-2 is an exceptionally rare unit that predates the LA-2A by several years. What sets this model apart is its slower response and the unique "mellowed" sound it produces. After over 50 years of luminescent panel ageing inside the T4 module, the LA-2 provides a transparency and sublime mood, unlike any other compressor. Ideal for legato tempos and vocal sources, this vintage unit adds a touch of nostalgia and character to your music.
In the 60s and 70s, the LA-2A and 1176 were the must-have dynamic tools for musicians and engineers. If the 1176 is akin to a Stratocaster in terms of immediacy and flexibility, then the LA-2A can be likened to a Gibson Les Paul in terms of warmth and its one-of-a-kind, magical sonic distinction. The T4 photocell response, a key characteristic of these compressors, is both program and frequency-dependent. This means that they excel at transparent gain reduction for vocals, bass, strings, or horns—making them perfect for individual inserts. Moreover, the LA-2A can also be used creatively to isolate and enhance the "colour" of the output amplifier, even pushing it to extreme distortion settings. At extreme Peak Reduction settings, especially affecting low frequencies, a fascinating sidechain distortion can be achieved.
The Teletronix Levelers are renowned for their ease of use and instant gratification. With the Peak Reduction control, you can set the compression threshold of the incoming signal up to -40 dB, while the Gain control allows you to amplify the signal for post-Peak Reduction level matching. The LA-2A Gray and Silver provide additional control with their rear Limit/Compress switch and the R37 FM Broadcast Emphasis filter on the front panel. Though not present on the original unit, the LA-2 was "hot-rodded" to include Emphasis, which is conveniently exposed on the front panel. Lastly, the Power feature bypasses all processor use, serving as a handy level-matching tool that was not found on the original hardware.
To help you achieve your desired sound, the Teletronix LA-2A Leveler Collection comes loaded with artist presets from notable users of the LA-2A. These presets can be accessed via the preset manager, allowing you to get started right away with tried-and-true settings that have been used on countless recordings.
"This sounds exactly like I hoped it would - real, warm and 100 fantastic." - Vance Powell
"Turn up the input gain on the new UAD LA-2A plug-in and listen to the life it brings to your track. One word. Wow!" - Darrell Thorp
"The LA-2A Classic Leveler Collection opens up a wonderful sonic palette that's rich and a pleasure to use." - Carl Glanville
"The UAD LA-2A Collection has the best models of the real hardware I've ever heard. It's like owning the real deal, that will never require a tech guy." - Jeff Juliano
"The UAD LA-2A is the first thing in my vocal chain. It brings unmatched attitude to the lead vocals and sets the tone for songs." - Ivan Barias
"I'm flipping out with the new UAD LA-2A Collection! Having the tonal and response variations between the different versions gives me more brushes to paint with, especially on bass guitar and vocals." - Ryan Hewitt
